Hull hardcore duo Parasitic Twins are set to hit the road later this month with the monstrous Boycott The Baptist. The band, who released their visceral debut EP, 'All That’s Left To Do Now Is Sleep With Each Other', on October 26th, are set to appear in Germany and Holland with BTB.
Hull hardcore duo Parasitic Twins are set to hit the road later this month with the monstrous Boycott The Baptist. The band, who released their visceral debut EP, 'All That’s Left To Do Now Is Sleep With Each Other', on October 26th, are set to appear in Germany and Holland with BTB. Remaining dates see support from Clunge Destroyer. Full dates for the tour below:
December 1st – The Morgue - Leeuwarden, Belgium (w/ Parasitic Twins)
December 2nd – Crowley’s – Hastings (w/ Clunge Destroyer)
December 4th – Birds Nest – London (w/ Clunge Destroyer)
December 5th – North Bar – Rhyl, Wales (w/ Clunge Destroyer)
December 6th- Paradiddles Music Café – Worcester (w/ Clunge Destroyer)
December 7th – Lounge 41 – Workington (w/ Clunge Destroyer)
December 8th – The Westgarth Social Club – Middlesbrough (w/ Clunge Destroyer)
Ripping a page from the Killing Joke school of lo-fi noise, then setting it on fire via the way of Today Is The Day and Godflesh, Hull’s scariest kids, Parasitic Twins are riding high following the release of their debut EP. Recorded live and raw, at Melrose Yard Studios in York, the hardcore duo, made up by guitarist/vocalist Max Watt (Rotting Monarchs) and drummer Dom Smith (Mary and The Ram), have performed together previously as part of Seep Away was born of a desire to create the most abrasive sound they could.
Discussing their debut single, “Massive”, Watt had this to say: “It’s about that mental sense of abandon that comes once in a while and turns our lives into ash. Temporarily, of course. Everyone’s been in that place where long term plans and prospects just become irrelevant and all you can focus on is immediate day to day shit, and one day you wake up and think “Goddamn, what was all that noise about?” At the time it’s huge but with time just becomes a notch in your past, then you gotta make the reparations, and push all that negative shit to the back.”
Hammered into the raw aggression like a nail into splintered wood is a youthful rage desperate to be heard. Taking comfortable influence from the late 90s sludge scene, the track “Flipswitch” borrows from the Raging Speedhorn school of duel vocal ferocity while “End” wraps a chain around the Biohazard-esque bouncy hardcore and throws it on the heap. Making “ATLTDNISWEO” a white-hot blast of crusty oblivion, perfect for fans of low end, aggro-punk. Listen to at wielding volume.
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December 1st – The Morgue - Leeuwarden, Belgium (w/ Parasitic Twins)
December 2nd – Crowley’s – Hastings (w/ Clunge Destroyer)
December 4th – Birds Nest – London (w/ Clunge Destroyer)
December 5th – North Bar – Rhyl, Wales (w/ Clunge Destroyer)
December 6th- Paradiddles Music Café – Worcester (w/ Clunge Destroyer)
December 7th – Lounge 41 – Workington (w/ Clunge Destroyer)
December 8th – The Westgarth Social Club – Middlesbrough (w/ Clunge Destroyer)
Ripping a page from the Killing Joke school of lo-fi noise, then setting it on fire via the way of Today Is The Day and Godflesh, Hull’s scariest kids, Parasitic Twins are riding high following the release of their debut EP. Recorded live and raw, at Melrose Yard Studios in York, the hardcore duo, made up by guitarist/vocalist Max Watt (Rotting Monarchs) and drummer Dom Smith (Mary and The Ram), have performed together previously as part of Seep Away was born of a desire to create the most abrasive sound they could.
Discussing their debut single, “Massive”, Watt had this to say: “It’s about that mental sense of abandon that comes once in a while and turns our lives into ash. Temporarily, of course. Everyone’s been in that place where long term plans and prospects just become irrelevant and all you can focus on is immediate day to day shit, and one day you wake up and think “Goddamn, what was all that noise about?” At the time it’s huge but with time just becomes a notch in your past, then you gotta make the reparations, and push all that negative shit to the back.”
Hammered into the raw aggression like a nail into splintered wood is a youthful rage desperate to be heard. Taking comfortable influence from the late 90s sludge scene, the track “Flipswitch” borrows from the Raging Speedhorn school of duel vocal ferocity while “End” wraps a chain around the Biohazard-esque bouncy hardcore and throws it on the heap. Making “ATLTDNISWEO” a white-hot blast of crusty oblivion, perfect for fans of low end, aggro-punk. Listen to at wielding volume.
Like this story? Like us on FaceBook and follow us on Twitter for regular updates & more of the same.
